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JULES CHÉRET

  • Eldorado / Courrier Français. 1894.
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    JULES CHÉRET

    Eldorado / Courrier Français. 1894.

    $1,440.00

    Year: 1894

    Size: 13 3/4 x 21 1/4 in./35 x 54 cm

    Condition: A. Usual horizontal fold. Framed.

    The dancer is boundless joy personified, and the red spotlight on her adds to the impact of this vivacious work. This version is from the series Chéret contributed to the Courrier Français, a lively twelve-page weekly magazine, started in 1894, which championed the work of many leading posterists. But this isn’t the design’s first appearance in that newspaper; that version hails from some six-and-a-half months prior. Apparently this airborne gypsy was popular enough to bring back for a return engagement with slightly altered text in the bottom left corner.

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  • Femme Assise: Drawing
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    JULES CHÉRET

    Femme Assise: Drawing

    $2,700.00

    Size: 7 5/8 x 12 inches

    Condition: Signed crayon drawing. Framed.

    Chéret captures his model dressed for a night on the town and coyly twisting to face the viewer. It's a lovely moment with both soft and detailed qualities—notice the folds in her leg-of-mutton sleeves.

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  • The Arts
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    JULES CHÉRET

    The Arts

    $25,000.00

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    JULES CHÉRET

    The Arts

    $25,000.00

    Year: 1891

    Size: each 32 7/8 x 48 3/8 inches

    Condition: B+ / recreated borders; slight tears.

    Maindron makes it clear that it was Chéret who invented “placards décoratifs, which are neither prints nor posters, but which contain a bit of both... There is nothing to say about these designs other than that they are perfect” (Maindron, p. 178-79). Abdy calls these four decorative panels “triumphs of color and printing” (Abdy, p. 31). Being freed from having to sell a product, Chéret lets his imagination soar—and these light-footed nymphs representing the Four Arts are the first clear examples of what was to adorn the walls of Paris for the next decade: the unabashedly hedonistic, carefree spirits that became known as “Chérettes.” (4)

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