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Milton Glaser

Milton Glaser

  • The Night of the Snow Leopard  / The New York Zoological Society
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    Year: 1983.

    Size: 24 x 36 inches

    Glaser places his haunting image over a quote celebrating the snow leopard's magnificent nature. Barely tamed by the art of the portrait, the vibrant colors evoke the cat's glowing eyes and fiery freedom.

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  • Stevie Wonder & Hugh Masakela.
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    Milton Glaser

    Stevie Wonder & Hugh Masakela.

    $300.00

    Year: 1968

    Size: 23 x 37 inches

    In this announcement for a concert at Lincoln Center's Philharmonic Hall, Glaser's stylized portrait of the revered rock-and-roll singer features his trademark wide smile and his name on the diagonal over his dark shades. Glaser also created a poster for jazz musician Masakela's solo appearance at Philharmonic Hall around the same time.

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  • San Diego Jazz Festival
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    Milton Glaser

    San Diego Jazz Festival

    $200.00

    Year: 1983

    Size: 24 x 36 inches

    A suit-and-sandal clad bear heralds this Pacific Coast event with a serenade at dusk. Several favorite Glaserisms show up here: the swirling contours, the loose cross-hatching and the sax.

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  • Great Illustrators of Our Time.
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    Milton Glaser

    Great Illustrators of Our Time.

    $150.00

    Year: 1982.

    Size: 24 x 46 inches

    Glaser represented the illustrator's twin talents through a series of signing hands with a stylized eye drawn in each palm. Against the black background, the rainbow striations of color vibrate and shimmer.

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  • I Manifesti di Milton Glaser
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    Milton Glaser

    I Manifesti di Milton Glaser

    $30.00

    Catalogue of the 1898 Milan exhibition of posters by this contemporary American graphic master. Essays by Jean-Michel Folon and others; interview by Steven Heller. Edited by Ornella Baggio and Ann Bohlen.

    63 illustrations, 31 in color. 86 pages.

    Softcover; text in Italian.

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  • Milton Glaser Posters: 427 Examples from 1965 to 2017
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    Softcover. 704 pages.

    5 1/4 x 7 5/8 inches

    "Milton Glaser has designed more than 500 posters. Some, like his 1967 Bob Dylan poster for Columbia Records, are icons; others, like the series celebrating “I Love New York,” evoke his best-known work. Milton Glaser Posters includes more than 400 of them, with Glaser’s own commentary describing his intentions and inspiration. It is a delight for the art lover, an education in visual storytelling, and a journey through the cultural life of half a century, all rolled into one compact, intense book."

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  • To Be Good is Not Enough / School of Visual Arts.
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    Year: 1979.

    Size: 30 x 45 inches

    Glaser has been on the teaching faculty and board of directors of the School of Visual Arts in New York City since 1961.

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  • The Lovin' Spoonful
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    Milton Glaser

    The Lovin' Spoonful

    $300.00

    Year: 1972.

    Size: 24 x 37 inches

    In a witty riff on the well-known Thomas Gainsborough portrait, Glaser portrays this pop-rock group responsible for such hits as "Do You Believe in Magic" and "Summer In The City" as a quartet of Blue Boys with their eponymous spoons instead of heads.

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  • Temple University Music Festival
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    Milton Glaser

    Temple University Music Festival

    $175.00

    Year: 1975.

    Size: 24 x 35 inches

    The last in a trio of posters-this one commissioned by Mobil-that Glaser did for this concert series in Philadelphia. His Cubist portrait of a muse in profile shows her brow-cum-swan: in ancient literature, the symbol of Orpheus, the god of music.

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  • Sony Tape. Full Color Sound.
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    Milton Glaser

    Sony Tape. Full Color Sound.

    $200.00

    Year: 1980.

    Size: 30 x 45 inches

    Using a theme line created by Sony's adverting agency at the time, Glaser designs a shell-shaped ear in glorious colors to suggest the rich aural experience of listening to Sony audio tape. Its background: the profile of a 19th-century listener silhouetted against music notation paper. The poster pleased sufficiently to earn Glaser a follow-up commission in 1981.

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  • Simon & Garfunkel.
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    Milton Glaser

    Simon & Garfunkel.

    $400.00

    Year: 1967.

    Size: 25 x 38 inches

    Glaser has remarked that the way he illustrated the well-known folk-rock composer-singers here was, in a reverse of the usual process, influenced by the appearance of the typeface he used-his own "Babyfat" alphabet.

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  • Saratoga Festival
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    Milton Glaser

    Saratoga Festival

    $200.00

    Year: 1980.

    Size: 24 x 36 inches

    For this annual summer arts festival held in upstate New York, Glaser places a Pan figure on a hill overlooking a lake with dreamy fantasies of color and harmony bubbling out of his overheated brain. Glaser also used this satyr in a poster for the 1985 retrospective of his own work in Pasadena.

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  • San Francisco Opera / First International Summer Festival.
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    Year: 1981

    Size: 24 x 36 inches

    The poster for the inaugural season of this event focuses on the opening work: the American premiere of Aribert Reimann's Lear directed by Jean-Pierre Ponnelle. Glaser's profile of the raging king is lit by the hellish fire in his eye—the face of his daughter Cordelia who he thinks has betrayed him. Type placed on the diagonal echoes the contours of the emotional design.

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  • San Francisco Opera.
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    Milton Glaser

    San Francisco Opera.

    $200.00

    Year: 1981.

    Size: 24 x 36 inches

    To announce the company's 59th season, Glaser superimposes the head and torso of a sinuous Carmen on the erect back of the orchestra conductor. She's all flamboyant color, he's in tuxedo black, and the forms meld with electric results.

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  • The Russian Tea Room Welcomes the Newport Jazz Festival
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    Year: 1972

    Size: 24 x 37 inches

    Glaser's relationship with the Russian Tea Room, a landmark haunt next to New York's Carnegie Hall, began when owner Faith Gordon Stewart asked him to redesign the restaurant's logo and menus. A memorable program of graphic communications followed. This example celebrates the arrival of the Newport Jazz Festival-a summer series of jazz concerts, originally held in Newport, Rhode Island, that moved its venue to New York City around this time. Against a background of psychedelically-striped and checked candy pastels, the silhouetted figure of a Russian Cossack pours vodka into the throat of a saxophone to lubricate the player's performance.

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  • Poster Auction XV.
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    Milton Glaser

    Poster Auction XV.

    $200.00

    Year: 1992.

    Size: 27 x 39 inches

    In keeping with its aims of supporting and fostering the appreciation of contemporary graphics while celebrating the lithographic traditions from which these designs sprung, Poster Auctions International commissioned a series of original poster designs to commemorate their twice-yealy sales from 1992 through 1997, at which point economic realities prevailed over artistic sentiments. The participating graphic artists comprise a who's who of the world's most-distinguished posterists, and each poster is a limited-edition of 200 numbered copies-all hand-signed-on special stock. Note that the design was also printed in an edition on regular stock to be pasted on the walls of Manhattan prior to each sale. The fact that these posters were papered over or torn down only days after they went up is another reason why these are so rare. Glaser focuses on the art of seeing with this design of a witty face in profile. The bright eye focuses our attention and suggests the visual treasures to be had.

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  • Poppy Gives Thanks.
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    Milton Glaser

    Poppy Gives Thanks.

    $300.00

    Year: 1968.

    Size: 24 x 37 inches

    Poppy was an unconventional '60s record company that Glaser had introduced with an image of a bright flower breaking through a stone monolith. Ironically, the company was so successful that it was ultimately sold to one of the established big companies it had positioned itself against. For this almost free concert of poppy recording artists (Townes Van Zandt, The Mandrake, Dick Gregory) taking place on Thanksgiving Eve at New York's Carnegie Hall ("$2.50-first come, first served"), Glaser continued the poppy motif with an engaging blossom-brained gobbler. The typeface-Neo-Futura-a stencil variation on the classic Bauhaus Futura alphabet-is only one of the many that he has created.

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  • Only Words, Until an Artist Uses Them. SVA
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    Year: 1979.

    Size: 30 x 45 inches

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  • Mostly Mozart Festival / Lincoln Center
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    Milton Glaser

    Mostly Mozart Festival / Lincoln Center

    $150.00

    Year: 1983.

    Size: 24 x 36 inches

    Glaser titles this pastel-colored mini-movie "Mozart Sneezes." The irreverent nine-frame sequence captures the bad-boy genius of Leipzig in a personal, nonmusical moment. Truly inspired.

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  • Monet.
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    Milton Glaser

    Monet.

    $150.00

    Year: 1982.

    Size: 24 x 36 inches

    In this exhibition poster for a retrospective of the Impressionist master’s works, much of the paper is unused, the upper part of the face is in shadow and the lower part is obscured by a beard—yet the image is definitive. Writing about a drawing of Whitman, Glaser notes, "Over a period of years I discovered that my best portraits

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  • Long Wharf Theater 25 Years.
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    Milton Glaser

    Long Wharf Theater 25 Years.

    $100.00

    Year: 1989.

    Size: 24 x 36 inches

    A handsomely-colored contemporary harlequin announces the anniversary season of this prestigious theater company in New Haven, Connecticut.

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  • Law/American Bar Association.
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    Milton Glaser

    Law/American Bar Association.

    $200.00

    Year: 1987.

    Size: 23 x 36 inches

    Although most of Glaser's posters are for cultural events or institutions, this commission was occasioned by the bicentennial of the United States Constitution. A blocky profile of blind justice dominates the design. The panel below it has a vague flavor of Grecian columns, suggesting classical virtues and Parthenon-style courthouse architecture.

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  • Juilliard.
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    Milton Glaser

    Juilliard.

    $200.00

    Year: 1990.

    Size: 24 x 36 inches

    Beginning in 1987, the audio-tape manufacturer TDK underwrote a series of annual posters for the Juilliard School of Music at New York’s Lincoln Center. Glaser has designed them all. Here, in the fourth, the lightning power of music brings a carefully-painted Dutch floral still life into three-dimensional bloom.

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  • Juilliard.
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    Milton Glaser

    Juilliard.

    $200.00

    Year: 1991.

    Size: 24 x 36 inches

    Rarely has Cubism looked so engaging as in this image of a cello fellow bowing away—the fifth and final poster in Glaser’s TDK-sponsored series for Juilliard. The artist loves music, loves educational institutions, loves the shape of the cello—and it all shows

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